Decorate Like You See in Magazines & Books?

by Jeanette Joy Fisher

Have you ever wondered why interior designers place slippers on the ottoman in magazine photos? They do it to make the staged setting look as if it’s a lived-in room. Pictures and illustrations in decorating books, magazines, and other advertisements are designed to sell a product or an idea.

But what’s missing in the staged rooms of most interior design books and magazines? People.

When it comes to decorating your own your home, forget the empty rooms you see in the magazines and books. You should design your rooms as backdrops for the people who use and live in those spaces. In order to best utilize the spaces in your home, try these simple techniques:

Leave empty space. Empty space gives you breathing room and allows the most important items in the room to shine, which are the people!

Use small patterns on walls and furniture. Avoid large-patterned fabrics and wallpapers with designs larger than your head. Huge florals will interfere with the appearance of the people in the room. You don’t want to have to compete with bold patterns behind your face. Patterns on sofas and chairs that clash with clothing will also make you and your guests feel uncomfortable.

Use colors that complement people. Finding the right colors to complement your skin and eyes deserves planning. Most people look great when surrounded by color. For light skin colors, use yellows, pinks, and beiges. For darker complexions, yellows, olives, and tans can make people stand out. Since most people no longer have bright white in their eyes, avoid pastels that are whiter than the white in your eyes.



Add textures that feel good to the touch. Support your sense of touch by adding textures that are nice to caress. You don’t have to touch velvet to sense its softness, and soft textures like chenille and satins will visually support your feeling of being pampered, as well.

Arrange accessories to shore up emotions. In one of my rooms, I arranged my mantle accessories to make a statement, and it looked great in photographs, but after analyzing why the mantle didn’t seem to smile, I realized that it wasn’t personal. When I filled it with Mili fiori lamps, crystal candlesticks, and antique vases, the space looked great, but it really began to smile when I added a Mexican Rose rock under the painting.

Think comfort before pretense. Just because a sofa or chair looks fabulous doesn’t mean the piece is comfortable. Remember, when you walk around a showroom, sitting down on any piece feels good, but in order to truly test a piece of furniture, you need to sit on it for a long time, until you feel totally rested. Only then will you be able to feel the real support and comfort level of that piece.

Remember, your home is a place for people, and when you and your guests look and feel great in your home, you can be sure that you’ve designed a great setting; one that far outshines the staged sets you’ll see in magazines and books.

Joy to you!

(c) Copyright 2004, Jeanette J. Fisher. All rights reserved.

Color Help: Choosing Color Combinations

by Jeanette Joy Fisher

Choosing a color scheme can be a nerve-wracking business. For instance, I anguished over the colors to paint the exterior of my Victorian house, I ordered every book on old house painting that I could find, and I discovered that they all contradicted each other on the basic “rules.”

Finally, the color scheme came to me. I would paint the house with my favorite colors! I love amber and red, so, fair gold and burnt red it became, along with temple green, dark-shutter green, dark amber, white, and black outlined windows.

Temple green paint for porch ceilings, believed to keep out evil spirits, is a historic Southern superstition and tradition. Even our local historic art museum had the electrical junction boxes painted in this color. Black outlining of the muttons and mullions (the wood window dividers) highlighted antique glass and added depth to the windows. This type of paint outlining is like eyeliner -- a makeup enhancement. The flat front edge of the window trim is painted in the sash trim color.



Traditionally, Southern porches were painted gray, but I like to feel grounded, so we painted our porches a deep green. This color anchors the porch floor to the green lawn, and during hot summer days, dark green is cooling. When the grass is brown during winter, green porches offer the promise of a green spring and relieve our gray days. Dark green paint with some black pigment mixed in gives a richer appearance than common green.

Grouping Colors for Harmony

Monochromatic color schemes, using varying shades, tones, and tints of the same color, give the impression of different colors and provide variety and interest. A single color scheme gives a unified, peaceful, and harmonious response. Monochromatic colors effectively establish an overall calming presence while tying things together, but can become boring or dull because of the lack of color contrast and liveliness.

The analogous, or side-by-side, color scheme adds depth, energy, and visual appeal. Using two or three related colors next to each other on the color wheel, analogous combinations are both flexible and attention-grabbing. The relationship of the related colors brings harmony to the setting. One problem with this type of color scheme is that inadvertently adding a fourth color spoils the effect. Analogous color combinations of yellow, red, and orange, although full of life, constantly heat up the space whereas, blue, teal, and green always visually cool a space.

Complimentary, opposite, or contrasting color combinations come from opposite sides of the color spectrum. A warm color, combined with a cool color, creates an interesting combination, such as yellow and purple, red and green, or blue and orange. They are also visually pleasing to most people. Because the two colors contain all three primary colors, the color scheme is complete and well-balanced.

There is a great body of literature devoted to color schemes, but if you're like me, the more you read, the more confused you can become. In the end, it’s sometimes best just to do like I did with my beloved Victorian home, and begin your deliberations by thinking about the colors you personally like best.


(c) Copyright 2004, Jeanette J. Fisher. All rights reserved.